{"product_id":"wynton-kelly-kelly-blue","title":"Wynton Kelly - Kelly Blue","description":"\u003cp\u003e\u003cstrong\u003eMastering by Kevin Gray and Steve Hoffman at Acoustech Mastering. Double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings. Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're assembling a jazz collection and Kelly Blue isn't on your shelf, you're basically hosting a dinner party without food. Kelly was the pianist Miles Davis trusted enough to bring into his band and replace Red Garland. Kelly was the ultimate sideman turned understated hero — blending gospel fire, blues grit, and bebop elegance into a buttery-smooth flow that made his touch unmistakable. On Kelly Blue, he steps out of the shadow and into the spotlight, where he glows like a well-polished Steinway under stage lights.\u003c\/p\u003e\n\u003cp\u003eAnd Kelly brought friends on this auspicious date. Paul Chambers (bass) — So solid, they used him to calibrate metronomes. Jimmy Cobb (drums) — Subtle as a whisper, sharp as a whip. And Nat Adderley (cornet), Benny Golson (tenor sax), and Bobby Jaspar (flute) — Because sometimes, you need a horn section that sounds like they're reciting poetry in perfect harmony. These cats don't just support Kelly — they elevate him.\u003c\/p\u003e\n\u003cp\u003eBottom line, Kelly Blue is an essential slice of jazz heaven — warm, witty, effortlessly cool.\u003c\/p\u003e","brand":"Analog Productions","offers":[{"title":"Default Title","offer_id":55202373403009,"sku":"AAPJ 210-45","price":74.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0892\/6734\/files\/WyntonKelly-KellyBlue.jpg?v=1768834765","url":"https:\/\/fuzzclub.com\/products\/wynton-kelly-kelly-blue","provider":"Fuzz Club","version":"1.0","type":"link"}