My Cart

Close
Fuzz Club is part of the IOSS EU VAT Scheme. There is no customs charges or additional VAT for EU customers.

Mt. Mountain announce new album and share 'Aplomb'

Posted on November 27 2020

Mt. Mountain announce new album and share 'Aplomb'

Perth Krautrock band announce fourth album 'Centre' and share the first single

 

Australian five-piece Mt. Mountain are today announcing their fourth album, ‘Centre’, and sharing the first single ‘Aplomb’. Hailing from Perth, Australia, Mt. Mountain deal in a sprawling, motorik psychedelic rock sound that journeys between tranquil, drone-like meditations and raucous, full-throttle wig-outs that’ll blow your mind as much as your speakers. Now signed to Fuzz Club Records, ‘Centre’ is due out February 26th - you can pre-order the album here and stream the first cut, ‘Aplomb’, below.


Taking cues from Krautrock pioneers like Neu! and Can whilst existing in a similar world to contemporaries like Moon Duo, Kikagaku Moyo and Minami Deutsch, Mt. Mountain are formidable torchbearers of the minimal-is-maximal tradition. Out today, ‘Aplomb’ was one of the first songs written for the album and marked a conscious shift of focus towards more rhythmic patterns within their music. Stephan Bailey (vocals/organs/flute) reflects on the song: “‘Aplomb’ is essentially the voice that I hear in my head, reminding me to not rush and slow down, and to have the confidence to bring this into practice in everyday life. We wanted there to be this clear contrast here between the tempo of the song and the lyrical content, an approach which appears throughout the album.”

 

 

Musically, the band’s sound is born out of long improvised jams so naturally much of the album was recorded live to capture the band at their most freewheeling. Growing up surrounded by religion but not a follower himself, Bailey describes how, thematically, much of ‘Centre’ is a dissection of faith – both spiritual and secular – and his personal, often complicated relation to it: “The album for me, lyrically, is mostly about my experience of religion. It explores these concepts and the rules that were told to me from childhood to adulthood and my thoughts on my own connection to them. Similar themes arise between the tracks whether it be lyrically or structural, both a play on repetition and simplicity.”